Index

This is a fairly comprehensive index of all my writing on photography and related topics from the start of 2013 onwards. These are primarily pieces written for Disphotic but also for other many publications, in print and online. You can also explore the blog archives by categories: Comment, Analysis of single images, Books, Exhibitions, Interviews, Video (encompassing film and multimedia projects), and my other Projects.

Photography and Collaboration by Daniel Palmer (Burlington Magazine, forthcoming)d-

Arboreal Pedagogy (SPARK Journal, forthcoming)
Rules are there to be Broken (Huck Magazine, forthcoming)
Photography and Collaboration by Daniel Palmer (Burlington Magazine, forthcoming)
Collateral Visions by Clément Lambelet (Foam Magazine, forthcoming)
In Fourth Person by Martin Errichiello & Filippo Menichetti (Foam Magazine, forthcoming)
In the Sight of Man (Network for Reporting on Eastern Europe, forthcoming)
Interview: Lucy Soutter (1000 Words Magazine, 2017-09-26)
A Portrait to Flatter (World Press Witness, 2017-09-04)
At the Thresholds of Virtual Reality (World Press Photo Witness, 2017-06-20)
Interview: Ben Burbridge (1000 Words Magazine, 2017-05-20)
Review: Destino Final (Photomonitor, 2017-05-01)
A War of Poverty (book essay in J.A Mortram’s Small Town Inertia, published by Bluecoat Press)
Incoming: The Collateral Damage of Conceptual Documentary (World Press Photo Witness, 2017-04-22)
Goodbye Disphotic (Disphotic, 2017-03-06)
How to be a Thorn in Photography’s Side (Disphotic, 2017-02-28)
Allan Sekula, Photography Against the Grain (1000 Words Magazine, 20176-02-06)
The Algorithmic Journalist (World Press Photo Witness, 2017-01-20)
The Shadows of Doubt: Art, Distance and Truth (Disphotic, 2016-12-12)
Why Teach Photography? (Disphotic, 2016-12-05)
Research and a New Photography (Disphotic, 2016-12-01)
The Empire of the Drone: Dinh Q. Lê’s The Colony (Disphotic, 2016-11-28)
Incomplete Images: A Different Perspective on Forced Migration (Disphotic, 2016-11-21)
Highlights and Trends: Paris Photo 2016 (Disphotic, 2016-11-14)
Cafe Royal Books: An Anarchic Archive (Photoworks, 2016-11-09)
The Space is the Thing (and White Cubes are Nothing) (Disphotic, 2016-10-07)
An Exhibition and Book Making Resource (Disphotic, 2016-10-31)
Post-Truth Documentary: Adam Curtis’s HyperNormalisation (Disphotic, 2016-10-24)
The Corrupting Image: Pornography and Propaganda (Disphotic, 2016-10-17)
Gentlemen by Karen Knorr (1000 Words Magazine, 2016-10-01)
The GIF of Life: Vestigial File Formats as Documentary (Disphotic, 2016-10-10)
The Transparent Jury and the Opaque Prize (Disphotic, 2016-10-05)
The Market: An Interview with Mark Curran (Disphotic, 2016-10-03)
Highlights and Trends: Unseen Photo Fair 2016 (Disphotic, 2016-09-26)
‘We Clean History’: Thoughts on Another Crimea (Disphotic, 2016-09-19)
Images of Power and the Power of Images (Disphotic, 2016-09-05)
Monsanto: An Interview with Mathieu Asselin (Disphotic, 2016-08-08)
The Work of Art: Balancing Personal and Commercial Practices (Disphotic, 2016-08-01)
Monsanto: A Photographic Investigation (Hatje Cantz photoblog, 2016-07-29)
The Trump of the Will: Reading the Republican National Convention (Disphotic, 2016-07-25)
On Abortion (Hatje Cantz photoblog, 2016-07-25)
Nothing but Blue Skies (Hatje Cantz photoblog, 2016-07-18)
Bringing the Drone War Home (Disphotic, 2016-07-18)
No Justice, No Peace, Only History (Disphotic, 2016-07-14)
An Overview of Rencontres d’Arles 2016 (Hatje Cantz photoblog, 2016-07-11)
Arles 2016 Dispatch #5: Overall Impressions (Disphotic, 2016-07-09)
Arles 2016 Dispatch #4: The Discovery Award (Disphotic, 2016-07-08)
Arles 2016 Dispatch #3: Fabulous Failures and Camarguais Western (Disphotic, 2016-07-07)
Arles 2016 Dispatch #2: Looking Beyond the Edge and Nothing But Blue Skies. (Disphotic, 2016-07-06)
Arles 2016 Dispatch #1: Methods of Loci and Syrcas (Disphotic, 2016-07-05)
  Alejandro Cartagena Santa Barbara return jobs back to Us (1000 Words Magazine, 2016-06-31)
After Europe: A Cultural Post-Mortem (Disphotic, 2016-06-27)
The Beat Goes On: Photobook Bristol 2016 (Disphotic, 2016-06-13)
The Moral Codes of Photojournalism (Disphotic, 2016-06-09)
Trevor Paglen wins Deutsche Börse Prize 2016 (Disphotic, 2016-06-06)
Schmaltz and Secrecy: The Obama Legacy (Disphotic, 2016-06-02)
Women’s Work: A Dialogue with Max Houghton (Disphotic, 2016-05-31)
Welcome to Panoptica (Disphotic, 2016-05-23)
Not All’s Fair: Photo London 2016 (Disphotic, 2016-05-19)
Steve McCurry and Photojournalism’s Burden of Truth (Disphotic, 2016-05-16)
At the Gates of Photography (Disphotic, 2016-05-10)
The Art of the State: Leibovitz’s Elizabeth II (Disphotic, 2016-04-25)
History in the Making: Palmyra’s World Tour (Disphotic, 2016-04-23)
Photography and Anti-Intellectualism (Disphotic, 2016-04-12)
Volatile Smile by Beate Geissler and Oliver Sann (Disphotic, 2016-04-07)
Spiking the War Primer (Disphotic, 2016-04-04)
In Praise of Peers (Disphotic, 2016-03-31)
Ken. To be destroyed by Sara Davidmann (Disphotic, 2016-03-28)
Gazing into the Algorithmic Abyss: On Microsoft’s Tay AI (Disphotic, 2016-03-26)
Sorry is the Hardest Word: Terrorism and the Refugee Crisis (Disphotic, 2016-03-24)
What is Documentary Photography II (Disphotic, 2016-03-21)
Unforeseen Consequences (Disphotic, 2016-03-17)
The Bailiff and the Bodycam (Disphotic, 2016-03-14)
Liberating the Arts from Corporate Influence (Disphotic, 2016-03-12)
On photography and Photography (Disphotic, 2016-03-10)
 I Know I Will See What I Have Seen Before by Thomas Albdorf (1000 Words Magazine, 2016-03-08)
Artists Shrug: Other Realities Are Available (Disphotic, 2016-03-07)
Europe’s Vicarious Victimhood: World Press Photo 2015 (Disphotic, 2016-02-25)
Journalism at the Limits of Visibility: World Press Photo 2015 (Disphotic, 2016-02-22)
Crystallisation or Simplification: World Press Photo 2015 (Disphotic, 2016-02-20)
Review – Spirit is a Bone by Adam Broomberg and Oliver Chanarin (Disphotic, 2016-02-18)
The Photo Book World: A Cult not a Ghetto (Disphotic, 2016-02-15)
Interview: Alice Meyers, Nothing is Impossible Under the Sun (Disphotic, 2016-02-11)
Art in the Age of Individualism (Disphotic, 2016-02-08)
Requiem for a City (BWP Magazine, 2016-02-08)
Mute Witnesses: Pentagon Releases Detainee Abuse Photographs (Disphotic, 2016-02-06)
Metropolitan Consolidation Eclipses Regional Distribution (Disphotic, 2016-02-02)
Disorder belies Construction: The Selection of Prix Pictet (Disphotic, 2016-02-01)
Ways of Knowing by Daniel Steir (1000 Words Magazine, 2016-02-01)
Terrordrome: Islamic State and the Savage New Times (Disphotic, 2016-01-25)
The Blind Eye and the Vision Machine (Disphotic, 2016-01-18)
On Rejection (Disphotic, 2015-12-10)
RAW Logic: On Reuters Change of Format (Disphotic, 2015-12-7)
World Press Photo and the Integrity of the Photographer (Disphotic, 2015-11-30)
The Photobook: Regression not Revolution? (Disphotic, 2015-11-26)
Review – Deadline by Will Steacy (Disphotic, 2015-11-23)
The Taylor Wessing Prize 2015 Longlist (Disphotic, 2015-11-19)
Picking up the Pieces (Disphotic, 2015-11-16)
The New Continent: The Refugee Nightmare and the European Dream (Disphotic, 2015-11-12)
A Photobook Manifesto II: On Design (Disphotic, 2015-11-09)
The Deutsche Börse 2016 Shortlist (Disphotic, 2015-11-06)
A Photobook Manifesto I: Narrative (Disphotic, 2015-11-02)
Review – Predator by Jean-Marie Donat (Disphotic, 2015-10-29)
Review – Lee Miller: A Woman’s War at Imperial War Museum (Disphotic, 2015-10-26)
Review – Missing Buildings by Thom and Beth Atkinson (Disphotic, 2015-10-22)
This Business of Living by Daniel Blaufuks (1000 Words Magazine, 2015-10-19)
Seduced by the Machine? Looking into Lidar (Disphotic, 2015-10-19)
What’s in a Name? (Disphotic, 2015-10-12)
Sexual Harassment in Photography: Towards Solutions (Disphotic, 2015-10-10)
Migrant Chic: Or Why Fashion is Politics (Disphotic, 2015-10-08)
Review – Burden of Proof at The Photographer’s Gallery (Disphotic, 2015-10-05)
Travelling Light: What Refugees Couldn’t Leave Behind (Disphotic, 2015-10-01)
Time Enough: Atrocity, Photography, and Entertainment (Disphotic, 2015-09-28)
Better Welfare for the Cash Cow of Photography (Disphotic, 2015-09-24)
The Taylor Wessing Prize 2015 Shortlist (Disphotic, 2015-09-21)
Welcome to Donetsk (British Journal of Photography, 2015-09-15)
The Cash Cow of Photography (Disphotic, 2015-09-14)
Photographs Won’t Change the World (Disphotic, 2015-09-04)
_IMG01 Australian-troops-passing-014.jpg (Disphotic, 2015-08-31)
Mariela Sancari: Moises (1000 Words, 2015-08-24)
 Algorithms, Data and the Endangered Photojournalist (Disphotic, 2015-08-24)
Algorithms, Data and the Endangered Journalist (Disphotic, 2015-08-17)
Blurred Borders: On Mixing Conflict and Fiction (Disphotic, 2015-08-10)
Bad Marketing, Worse Journalism: A Follow Up on the ‘Instagram Migrant’ (Disphotic, 2015-08-04)
Publish and be Insta-damned: On the Instagram Migrant (Disphotic, 2015-08-03)
Informing for Consent (Disphotic, 2015-07-27)
Arles 2015: What do the world’s tax havens look like? (British Journal of Photography, 2015-07-22)
Danila Tkachenko: Unplaces (Foam Magazine, 2015-07-20)
Aaron Blum: Another Appalachia (Foam Magazine, 2015-07-20)
Arles 2015: North Korea, a Life between Propaganda and Reality (British Journal of Photography, 2015-07-20)
Arles 2015 Dispatch #6: Overall Impressions  (Disphotic, 2015-07-20)
Arles 2015 Dispatch #5: Best of the Books (Disphotic, 2015-07-17)
Arles 2015 Dispatch #4: Souvenirs of the Sphinx and North Korea (Disphotic, 2015-07-15)
Arles 2015 Dispatch #3: Dark Tourism and The Heavens (Disphotic, 2015-06-13)
Arles 2015 Dispatch #2: Vernacular/Martin Gusinde (Disphotic, 2015-06-10)
Arles 2015 Dispatch #1: Discovery Award (Disphotic, 2015-06-08)
Karl Burke’s Harvest of Death (British Journal of Photography, 2015-06-07)
Beyond the Panopticon (Disphotic, 2015-06-29)
A New Vision (Disphotic, 2015-06-15)
Lets Talk About Money (Disphotic, 2015-06-01)
Five More Years to Fight (Disphotic, 2015-05-12)
A look inside Guantanamo Bay’s giftshop (British Journal of Photography, 2015-05-05)
Ciarán Óg Arnold: I went to the worst of bars… (1000 Words, 2015-05-04)
Veiled Words: The Implications of Art Speak (Of The Afternoon, issue #7, 2015-05-01)
Review – The Deutsche Börse Prize 2015 at The Photographers Gallery (Disphotic, 2015-04-27)
After Empire II: The American Ruin (Disphotic, 2015-04-23)
After Empire I: The Soviet Ruin (Disphotic, 2015-04-20)
Review – An Atlas of War and Tourism by The Sochi Project (Disphotic, 2015-04-13)
Review – Barricade by Donald Weber and Arthur Bondar (Disphotic, 2015-04-06)
Interview – Christopher Nunn (Disphotic, 2015-03-30)
Review – Revelations: Experiments in Photography (Photomonitor, 2015-03-24)
Ukraine: One Year On (Disphotic, 2015-03-24)
Cut Off: On the Demise of IdeasTap (Disphotic, 2015-03-12)
An All Seeing Eye: Big Data and the Rise of Big Photography (Photoworks, 2015-03-09)
Review – Seacoal by Chris Killip (Disphotic, 2015-03-02)
A War of Poverty: J.A. Mortram’s Small Town Inertia (Disphotic, 2015-02-23)
Review – Anima and On The Widest Prairies by Charlotte Dumas at The Photographers Gallery (Disphotic, 2015-02-19)
Review – Hannah Whitaker Peer to Peer (1000 Words, 2015-02-16)
Review – Human Rights, Human Wrongs at The Photographers Gallery (Disphotic, 2015-02-16)
Review – Make Life Worth Living at Media Space (Disphotic, 2015-02-09)
Heygate: A Natural History (B&W Photography Magazine, issue 172, 2014-02-01)
The Cultural Debt of Corporate Sponsorship (Disphotic, 2015-02-05)
Towards a Photography of Austerity (Disphotic, 2015-02-02)
Review – Staging Disorder at London College of Communication (Disphotic, 2015-01-29)
Review – Hyenas of the Battlefield by Lisa Barnard (Disphotic, 2015-01-26)
Analysis – Civis Sinæ Sum (Disphotic, 2015-01-24)
Luc Tuymans Case Illustrates the Failure of Europe’s Copyright Laws (Hyperallergic, 2015-01-23)
The Potential of Privilege (Disphotic, 2015-01-22)
Now We Can Talk About the Death of Photography (Disphotic, 2015-01-19)
Review – Drawn by Light at Media Space (Disphotic, 2015-01-12)
Review – Edward Steichen: In High Fashion at The Photographers Gallery (Disphotic 2014-01-08)
Review of Anouk Kruithof’s The Bunghalow (1000 Words, 2014-12-10)
War on Want: J.A. Mortram’s Small Town Inertia (The New British, 2014-12-05)
Review – This War of Mine (Disphotic, 2014-12-04)
Review – Conflict, Time, Photography at Tate Modern (Disphotic, 2014-12-01)
Chris Killip at Tate Britain (B&W Photography Magazine, issue 170, 2014-12-01)
Review – Evidence by Diana Matar (Disphotic, 2014-11-24)
Review – Pandora’s Camera by Joan Fontcuberta (Disphotic, 2014-11-17)
Review – The Taylor Wessing Prize 2014 at the National Portrait Gallery (Disphotic, 2014-11-13)
Review – Analemma by Vivian Sassen at The Photographers Gallery (Disphotic, 2014-11-10)
A Poor Inheritance: Chernobyl and the Unseen Legacy of the Soviet Union (Disphotic, 2014-11-04)
Review – Black Chronicles II at Rivington Place (Disphotic, 2014-10-27)
Lewis Bush interviewed by Darren Campion (Of The Afternoon)
‘Use Photographs as Weapons’ On the Value of Photomontage (Disphotic, 2014-10-20)
Lewis Bush interviewed by Jessa Fairbrother (IC Visual Lab. 2014-10-05)
Review – Does Yellow Run Forever by Paul Graham (Disphotic, 2014-09-29)
Lewis Bush interviewed by Rachel Segal Hamilton (Ideastap, 2014-09-19)
Lewis Bush interviewed by Alan Knox (Hotshoe Blog, 2014-09-15)
Review – Open for Business at The Science Museum (Disphotic, 2014-09-08)
Lewis Bush interviewed by Christiane Monarchi (Photomonitor, 2014-09-01)
Review – Infidel by Tim Hetherington at Photofusion (Disphotic, 2014-09-01)
Self-Publishing, From the Margins to the Mainstream (Of The Afternoon, issue #4, 2014-08-29)
Review – Finding Vivian Maier (Disphotic, 2014-08-25)
Review – Primrose: Early Colour Photography in Russia at The Photographers Gallery (Disphotic, 2014-08-18)
Review – Dalston Anatomy by Lorenzo Vitturi at The Photographers Gallery (Disphotic , 2014-08-11)
Repacking my Library – Thoughts on Books and Memory (Disphotic, 2014-08-04)
Why Doubt is Not Enough (Disphotic, 2014-07-28)
Joan Fontacuberta, Stranger than Fiction at Media Space (Photomonitor, 2014-07-24)
Review – Close and Far: Sergey Prokudin-Gorsky at Calvert 22 (Disphotic, 2014-07-21)
Review – Close and Far: Russian Photography Now at Calvert 22 (Disphotic, 2014-07-17)
Review – Dr. Harold Edgerton: Abstractions at Michael Hoppen Gallery (Disphotic, 2014-07-14)
Review – Under the Influence: John Deakin and the Lure of Soho at The Photographers Gallery (Disphotic, 2014-07-10)
Review – Fresh Faced and Wild Eyed 2014 at The Photographers Gallery (Disphotic, 2014-07-07)
#BringBackOurHashtag: Activism, Hacktivism & Photography in the Social Media Sphere (Bagnews Notes, 2014-07-07)
Obscurity (Photoworks, 2014-07-07)
Epitaph – Roger Mayne (Disphotic, 2014-07-07)
Welcome to the New Disphotic (Disphotic, 2014-06-28)
Twitter Interview with Lewis Bush (Genesis Imaging, 2014-06-17)
Glimpses of the Missing Nigerian Girls: Glenna Gordon’s Photos of Extraordinary Ordinary Things (Bagnews Notes, 2014-06-04)
Hiatus (Disphotic, 2014-06-09)
Review – View from the Inside: Contemporary Arab Photography, Video and Mixed Media Art (Disphotic, 2014-06-09)
Photography Theory: A Beginners Guide (Daily Telegraph website 2014-06-09)
How to Develop a Photography Project (IdeasTap, 2014-06-03)
The Reading List: Photography (IdeasTap, 2014-05-29)
Review – The Rehearsal of Space: Edgar Martins at Wapping Project Bankside (The Photographer’s Gallery Blog, 2014-05-11)
Review – And Everyday was Overcast by Paul Kwiatkowski (Hotshoe Magazine, Spring Issue, 2014-04-01)
How to Train as a Photographer (IdeasTap, 2014-04-01)
Unseen: Red Forest (Exhibition catalogue, 2014-04-01)
Ruin Nation: The Ruin in Art and Photography (Disphotic, 2014-03-31)
The Proxy Journalists of a Proxy War (Disphotic, 2014-03-24)
Notes on the Media, Photography and Nationalism (Disphotic, 2014-03-17)
Crimea: Selfies and Self-Determination (Disphotic, 2014-03-10)
Vivian Maier and the Photograph in the Age of Narcissism (Disphotic, 2014-03-03)
To Pay or Not to Pay? Four Different Approaches to Portraiture and Exchange (Featureshoot, 2014-2-26)
Ten Books Every Year: Self-Publishing and Print on Demand (Disphotic, 2014-02-24)
Anders Birger interviewed by Lewis Bush (Disphotic, 2014-02-17)
Blind Spots: On Miss-Seeing and Not Seeing (Disphotic, 2014-02-10)
Is there a Language of Photography? (Disphotic, 2014-02-03)
Review – Hannah Hoch (Photomonitor, 2014-01-29)
In Deception, Truth (Disphotic, 2014-01-27)
Top Secret: Photography, Surveillance and the Archive (Disphotic, 2014-01-23)
The Surveillance Economy of Photography (Disphotic, 2014-01-20)
Not the Death of Photography, Just a Rebirth (Disphotic, 2014-01-13)
Review – Holy Bible by Adam Broomberg and Oliver Chanarin (Disphotic, 2013-12-12)
What is an Iconic Photograph: Iconography and Iconoclasm (Disphotic, 2013-12-09)
Review – Bunker Archaeology by Paul Virilio (Disphotic, 2013-12-05)
The Natural History of Corruption (Disphotic, 2013-12-02)
Travelling Back (Essay in Direction of Travel by James Duncan Clark, 2013-12-01)
Review – Nearly Invisible by Moyra Peralta (Disphotic, 2013-11-28)
The Limits of Editions (Disphotic, 2013-11-25)
Review – Donovan Wylie: Vision as Power at The Imperial War Museum (Disphotic, 2013-11-21)
Visions of War: Richard Mosse and The Enclave (Disphotic, 2013-11-18)
Review – Taylor Wessing Portrait Prize 2013 at The National Portrait Gallery (Disphotic, 2013-11-14)
War, Photography, Memory (Disphotic, 2013-11-11)
Review – Bending the Frame by Fred Ritchin (Disphotic, 2013-11-07)
Hagiographies (Disphotic, 2013-11-04)
Alex Webb interviewed by Lewis Bush (Ideastap Meets Magnum, 2013-11-01)
David Hurn interviewed by Lewis Bush (Ideastap Meets Magnum, 2013-11-01)
Review – Paul Klee at Tate Modern (Disphotic, 2013-10-31)
Review – Home Truths: Photography, Motherhood and Identity at The Photographer’s Gallery (Disphotic, 2013-10-24)
Unseeing Visual Culture: Social Media, Beheadings, Journalism and Flakes of Snow (Disphotic, 2013-10-28)
On Criticism and Patronage (Disphotic, 2013-10-21)
Review – The Prix Pictet Commissions: Munem Wasif, Ed Kashi, Chris Jordan and Simon Norfolk at Somerset House (Disphotic, 2013-10-17)
Photo Fads and Photo Histories (Disphotic, 2013-10-14)
What is Documentary Photography? (Disphotic, 2013-10-10)
Eva Stenram: Discomforting Domesticity (Disphotic, 2013-10-07)
Review – Phillip-Lorca diCorcia’s East of Eden at David Zwirner (Disphotic, 2013-10-03)
Review – Axis Mundi (Hotshoe Blog, October 2013)
When Documentary Becomes Art II (Disphotic, 2013-09-30)
Review – Detritus by David O’Mara (Disphotic, 2013-09-26)
Review – Only in England: Tony Ray-Jones and Martin Parr at The Science Museum’s Media Space (Disphotic, 2013-09-23)
Review – Mass Observation at The Photographer’s Gallery (Disphotic, 2013-09-19)
When Documentary Becomes Art I (Disphotic, 2013-09-16)
Review – Deeds Not Words at The Photographer’s Gallery (Disphotic, 2013-09-12)
In Praise of Writing (Disphotic, 2013-09-09)
Review – Voices from Chernobyl by Svetlana Alexievich (Disphotic, 2013-09-05)
In Praise of Amateurs (Disphotic, 2013-09-02)
Review – 5,000 Feet is the Best at Imperial War Museum (Disphotic, 2013-08-29)
Photography and Non-Compliance (Disphotic, 2013-08-26)
Review – Visions of the Universe at The Maritime Museum (Disphotic, 2013-08-22)
The Violence of Images (Disphotic, 2013-08-19)
Review – Erwin Blumenfeld at Somerset House (Disphotic, 2013-08-15)
Review – On The Natural History of Destruction by W.G. Sebald (Disphotic, 2013-08-08)
Conflicting Visions (Disphotic, 2013-08-05)
Review – Burning With Desire by Geoffrey Batchen (Disphotic, 2013-08-01)
Curation as Creation (Disphotic, 2013-07-29)
Review – The Mexican Suitcase (Disphotic, 2013-07-25)
Culture and Complacency (Disphotic, 2013-07-22)
Review – Fresh Face and Wild Eyed at The Photographer’s Gallery (Disphotic, 2013-07-18)
Copyright and the Right to Copy (Disphotic, 2013-07-15)
Review – Robert Capa at ATLAS Gallery (Disphotic, 2013-07-11)
Pixels to the People: Photography and Democracy (Disphotic, 2013-07-08)
Review – Estuary at The Museum of London Docklands (Disphotic, 2013-07-04)
Review – Infidel by Tim Hetherington (Disphotic, 2013-06-27)
Review – Souzou: Outsider Art from Japan at Wellcome Collection (Disphotic, 2013-06-20)
War Primer 3 and the Politics of Appropriation (Disphotic, 2013-06-17)
When Seeing is Destroying (Disphotic, 2013-06-15)
Review – Karl Blossfelt at Whitechapel Gallery (Disphotic, 2013-06-13)
Sebastião Salgado and Cultural Capital (Disphotic, 2013-06-10)
Review – Sebastião Salgado’s Genesis at the Natural History Museum (Disphotic, 2013-06-06)
Review – Nobuyoshi Araki at Michael Hoppen Gallery (Disphotic, 2013-06-03)
Review – Long Story Bit by bit by Tim Hetherington (Disphotic, 2013-05-30)
On Aftermaths (Disphotic, 2013-05-27)
Review – Man Ray at National Portrait Gallery (Disphotic, 2013-05-23)
Sordid Aesthetics (Disphotic, 2013-05-20)
Review – George Catlin at National Portrait Gallery (Disphotic, 2013-05-16)
Beyond Terminal Velocity (Disphotic, 2013-05-11)
Review – Still Life Killing Time by Edmund Clark (Disphotic, 2013-05-08)
Google Glass and the Terminal Velocity of Photography (Disphotic, 2013-05-04)
Review – Fukushima Samurai by Noriko Takasugi (Disphotic, 2013-05-01)
Copyright and the Right to Copy (Disphotic, 2013-04-29)
Camera-gun, Gun-camera: A Short History of Shooting (Disphotic, 2013-04-27)
Review – Deutsche Börse Prize at The Photographers Gallery (Disphotic, 2013-04-22)
Withering Memory (Disphotic, 2013-04-20)
Review – Landmark at Somerset House (Disphotic, 2013-04-17)
Proto-Photo-Journalists (Disphotic, 2013-04-13)
What is Photography (Disphotic, 2013-04-10)
This is Not a Photo Opportunity (Disphotic, 2013-04-06)
Image Fixity (Disphotic, 2013-03-25)
Symbols of an Intractable Conflict (Disphotic, 2013-03-16)
On Ruin Value (Disphotic, 2013-03-15)
Cultures of Consumption (Disphotic, 2013-03-13)
Everything to Declare (Disphotic, 2013-03-01)
Losing Vivian Maier (Disphotic, 2013-02-21)
Speaking Without Words (Disphotic, 2013-02-15)
Vital Thoughts: Art Language and ‘Real’ English (Disphotic, 2013-02-11)
Refugees From Time: Progress, Nostalgia, Photography (Disphotic, 2013-02-09)
Engines of Doubt: Digital Archives (Disphotic, 2013-02-04)